Sunday, 26 April 2026

Book Review!!! Lucie Dumas by Katherine Mezzacappa



Publication Date: March 30th, 2026
Publisher: Stairwell Books
Pages: 278
Genre: Historical Fiction

London, 1871: Lucie Dumas of Lyon has accepted a stipend from her former lover and his wife, on condition that she never returns to France; she will never see her young son again. As the money proves inadequate, Lucie turns to prostitution to live, joining the ranks of countless girls from continental Europe who'd come to London in the hope of work in domestic service.


Escaping a Covent Garden brothel for a Magdalen penitentiary, Lucie finds only another form of incarceration and thus descends to the streets, where she is picked up by the author Samuel Butler, who sets her up in her own establishment and visits her once a week for the next two decades. But for many years she does not even know his name.


Based on true events.

⭐⭐⭐⭐⭐

Lucie Dumas is one of those books where the voice and the atmosphere feel almost like the same thing. The setting isn’t just background—it quietly shapes how Lucie sees herself and everyone around her.

The London here feels very real, but in a small, contained way. It’s not big or dramatic—it’s rooms, streets, routines. There’s a kind of closeness to everything, like her world never quite opens up. Even when things seem stable, there’s this sense that something’s pressing in—and you can feel that in her relationships too.

Nothing there feels completely settled. Her connection with Monsieur isn’t really romantic in the usual sense—it feels more structured than that, but also uneven in a way that never fully goes away. It all looks calm on the surface, but there’s always something slightly unresolved underneath.

What I found most interesting is Lucie herself. She understands what’s going on—her past, her situation, the people in her life—but that doesn’t mean she can change it. There’s a kind of distance in how she sees things, like she’s aware of the limits around her but still stuck within them.

The story moves between Lyon and London, but it doesn’t build to one big moment. It just unfolds. You see how one part of her life leads into the next without any clear break. There’s no dramatic turning point—just this gradual sense that her options are narrowing.

A lot of the emotional weight comes from what’s left unresolved. Her separation from her son isn’t treated as one big event—it’s just there, in the background, shaping everything else. It gives even the quieter moments more depth.

It’s not a heavy book in an obvious way, but there’s a quiet sadness to it, especially later on. The way time passes, and how her world slowly becomes smaller, is done very subtly, which makes it land more.

It’s definitely more about character than plot. If you like slower, more reflective books, it’s worth it.




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Katherine Mezzacappa


Katherine Mezzacappa is Irish but currently lives in Carrara, between the Apuan Alps and the Tyrrhenian Sea. She wrote The Ballad of Mary Kearney (Histria) and The Maiden of Florence (Fairlight) under her own name, as well as four historical novels (2020-2023) with Zaffre, writing as Katie Hutton. She also has three contemporary novels with Romaunce Books, under the pen name Kate Zarrelli. The Maiden of Florence was shortlisted for the Historical Writers’Association Gold Crown award in 2025 and has also been published in Italian.

Katherine’s short fiction has been published in journals worldwide. She has in addition published academically in the field of 19th century ephemeral illustrated fiction, and in management theory. She has been awarded competitive residencies by the Irish Writers Centre, the Danish Centre for Writers and Translators and (to come) the Latvian Writers House.

Katherine also works as a manuscript assessor and as a reader and judge for an international short story and novel competition. She has in the past been a management consultant, translator, museum curator, library assistant, lecturer in History of Art, sewing machinist and geriatric care assistant. In her spare time she volunteers with a second-hand book charity of which she is a founder member.

She is a member of the Society of Authors, the Historical Novel Society, the Irish Writers Centre, the Irish Writers Union, Irish PEN / PEN na hÉireann and the Romantic Novelists Association, and reviews for the Historical Novel Review. She is lead organiser for the Historical Novel Society 2026 Conference in Maynooth, Co. Kildare.

Katherine has a first degree in History of Art from UEA, an M.Litt. in Eng. Lit. from Durham and a Masters in Creative Writing from Canterbury Christ Church.




Thursday, 23 April 2026

Book Excerpt!!! The Enemy’s wife (Survivors of War Series) by Deborah Swift



Publication Date: April 6th, 2026
Publisher: HQ Digital
Pages: 380
Genre: Historical Fiction


'A fast-paced, beautifully written, and moving story. Refreshing to read a book set in a different theatre of war. Wartime Shanghai jumped off the page'
CLARE FLYNN


A poignant story of the impossible choices we make in the shadow of war, for fans of Daisy Wood and Marius Gabriel.


1941. When Zofia’s beloved husband Haru is conscripted into the Imperial Japanese Army, she is left to navigate Japanese-occupied Shanghai alone.

Far from home and surrounded by a country at war, Zofia finds unexpected comfort in a bond with Hilly, a spirited young refugee escaping Nazi-occupied Austria.


As violence tightens its grip on the city, they seek shelter with Theo, Zofia’s American employer. But with every passing day, the horrors of war and Haru’s absence begin to reshape Zofia’s world – and her heart.


Can she still love someone who has become the enemy?


Readers love The Enemy's Wife:


'A gorgeous novel that will truly pull at your heartstrings'
~ CARLY SCHABOWSKI


'I loved The Enemy’s Wife – a gripping, fast-paced and evocative story about the Japanese occupation of Shanghai during WW2 – and really rooted for the brave and selfless central character, Zofia. Highly recommended'

~ ANN BENNETT


'Such an emotional and moving read, grounded in immaculate research that never overshadows the heart of the story'
~ SUZANNE FORTIN


Excerpt


Shanghai, 1941


Theo


By midnight on the Sunday evening, Theo was too tired to go home and dozed in the chair in his office until a horn somewhere out on the river made him look up. His eyes were gritty and he still hadn’t finished the accounting. The telephone shrilled, making him startle.


Chan Yeung, at reception. ‘A message came, sir. Head office in Washington telephoned. Not good news. The Japanese have bombed Hawaii. America is at war with Japan.’


‘What?’


‘War, sir. They dropped bombs on the American fleet.’


 ‘When was this? Why didn’t they call me on my direct line?’


‘I don’t know, sir. Head office sounded panicked. They bombed Pearl Harbor. But because of the time difference we’ve only just got the news. New York says there’s nothing you can do except secure your assets as best you can. Get cash and get ready, because if America’s at war, you can expect a visit from the Japanese at any time.’


Theo didn’t take the lift but ran down the stairs two at a time. In the main office on the first floor, some of his Chinese employees had heard the news too via the radio and had arrived early, their faces as worried as his own.


‘Sir, is it true?’ ‘Sir!’ A cacophony of demands.


He brushed them aside, and seeing he wasn’t going to answer, they moved silently away so that he could look out to the street below. Though it was early, not yet dawn, the jetties were crowded with the usual silhouettes of sampans and junks, bobbing on the swell. Beggars clustered on the boardwalks in huddled heaps; dark figures wrapped like mummies against the cold. Theo glanced to the grey bulk of the HMS Peterel, and his belly tightened.


‘What’s that, sir?’ One of his secretaries pointed.


It was still dark, but he made out a launch flying the red sun as it powered over to the British gunboat from the Japanese warship Izumo and disgorged a group of dark-clad Japanese. He fixed his eyes on it, wondering what they were doing, but it appeared they were turned away because no white flag or Japanese flag went up and instead the launch returned to the Izumo.

He was about to walk away from the window when an almighty boom shuddered the whole building. 


‘Christ almighty!’ The words were out of his mouth before he could think.


Smoke engulfed the Peterel. On the street, beggars leapt up to scatter like ants.


A few moments later and machine gun fire blitzed through the air with staccato efficiency and a few Japanese fell, but this was instantly rebuffed by huge shells aimed at the British ship. The explosions threw up white flashes and great spouts of water.


Theo blanched. There was actually a battle going on right here.


Another blast. The windows shuddered. ‘Whoa!’ Behind him the rest of his workers crushed up to the glass to see what was going on.


The Peterel was struck and began to list heavily to one side, gushing flames and smoke. Small black figures rushed hither and thither on deck trying to escape the firepower of the Japanese guns and the burning deck. Several men plunged into the sea.


Theo leapt away from the window. ‘Don’t just stand there gawping,’ he shouted. ‘That’s the British ship! We’ve got to help them!’


At the door, he paused, holding it open. But nobody followed him. It was then he saw all too clearly where people’s loyalties lay. They’d all turned away, as if they had seen nothing. 


Sickened, he hurtled down the stairs alone, running, dodging all the Chinese beggars running in the other direction, away from the shore. The streets cleared like they did before monsoon rain. The stink of oil and gunpowder filled his nostrils. Theo ran hell for leather along the water’s edge, as wounded men splashed through the murky swell towards dry land. The water was a foul concoction littered with debris and rotting funeral flowers from the beggars who could not afford to bury their dead, and instead cast the bodies into the belly of the river each night.


As he reached the shore, the surface oil slick caught fire and Japanese snipers tried to pick off the men as they flailed and staggered towards land. Theo shouted in rapid Chinese to Lee, the sampan man who often took him across the river. Lee, a balding man with a face like old leather, and trousers tied up with string, grabbed an oar as Theo fumbled aboard.


‘Row!’ shouted Theo. 


Together Theo and Lee tried to drag a man out of the river but the pepper of machine-gun fire forced them to crouch and duck. A whine of bullets zipped and splashed past and frothed the surface.


The boat turned slightly. A man’s head, white in the remaining moonlight, bobbed above his thrashing arms. 


‘Here!’ Theo shouted. He plunged his arms into the freezing water to help the man climb aboard as the sampan swayed and rocked.


‘Thanks,’ the man gasped, rolling himself into the boat.


Lee rowed them towards the shore, head low as bullets streaked past. Over the wooden edge of the boat Theo fixed his gaze on the concrete jetty. Beneath it, a few exhausted, wounded men had crawled up onto the mud. In the confusion, further down the shore men were being picked up and taken away in Japanese launches.


Just shy of the mudflats Lee stashed his oars and refused to row on.


‘What’s the matter?’ Theo yelled, conscious of the man crumpled in a wet heap at his feet.


 ‘Give me your watch,’ Lee said.


Theo frowned and held out his arm. ‘This?’


‘Yes. I take. Or no row. Okay?’





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Deborah Swift


Deborah used to be a costume designer for the BBC, before becoming a writer. Now she lives in an old English school house in a village full of 17th Century houses, near the glorious Lake District. Deborah has an award-winning historical fiction blog at her website www.deborahswift.com

Deborah loves to write about how extraordinary events in history have transformed the lives of ordinary people, and how the events of the past can live on in her books and still resonate today.

Her WW2 novel Past Encounters was a BookViral Award winner, and The Poison Keeper was a winner of the Wishing Shelf Book of the Decade.

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Book Review!!! Lucie Dumas by Katherine Mezzacappa

Publication Date: March 30th, 2026 Publisher: Stairwell Books Pages: 278 Genre: Historical Fiction London, 1871:  Lucie Dumas of Lyon has ac...