How does a fantasy story based around the American Revolution sound? Intrigued? Read on!! @TDurwood @maryanneyarde

 

How does a fantasy story based around the American Revolution sound? 

Intrigued? 

Read on!!

 

⭐⭐⭐⭐

Oh my goodness, there are some talented people in the world. The illustrations in this novel are stunning. They really captured the essence of this novel.

The Pact is a short read, with short chapters and lots of illustrations - perfect for the younger reader. It has likeable and some not so likeable characters, and the story is quite engaging. It is not a historical fiction novel in its truer sense as the author has taken some liberties with dates and depictions, but there is an air of the era about it.

I thought this book was great and I am looking forward to reading the next book in the series. 

Six international teens join the American Revolution.

 

Coming of age and making history. 

 

They went into 1776 looking for a fight. Little did they know how much it would cost them…

 

Six rich kids from around the globe join the Bostonian cause, finding love and treachery along the path to liberty.

 

A new perspective on one of history’s most fascinating moments.

 

Amply illustrated edition of a young-adult historical fiction novel. 

 

If you would like to read this book then you can find it on Amazon where you can also read it for free with #KindleUnlimited subscription.

 

 

Tom Durwood is a teacher, writer and editor with an interest in history. Tom most recently taught English Composition and Empire and Literature at Valley Forge Military College, where he won the Teacher of the Year Award five times. Tom has taught Public Speaking and Basic Communications as guest lecturer for the Naval Special Warfare Development Group at the Dam’s Neck Annex of the Naval War College.

 

Tom’s ebook Empire and Literature matches global works of film and fiction to specific quadrants of empire, finding surprising parallels. Literature, film, art and architecture are viewed against the rise and fall of empire. In a foreword to Empire and Literature, postcolonial scholar Dipesh Chakrabarty of the University of Chicago calls it “imaginative and innovative.” Prof. Chakrabarty writes that “Durwood has given us a thought-provoking introduction to the humanities.” His subsequent book “Kid Lit: An Introduction to Literary Criticism” has been well-reviewed. “My favorite nonfiction book of the year,” writes The Literary Apothecary (Goodreads).

 

Early reader response to Tom’s historical fiction adventures has been promising. “A true pleasure … the richness of the layers of Tom’s novel is compelling,” writes Fatima Sharrafedine in her foreword to “The Illustrated Boatman’s Daughter.” The Midwest Book Review calls that same adventure “uniformly gripping and educational … pairing action and adventure with social issues.” Adds Prairie Review, “A deeply intriguing, ambitious historical fiction series.”

 

Tom briefly ran his own children’s book imprint, Calico Books (Contemporary Books, Chicago). Tom’s newspaper column “Shelter” appeared in the North County Times for seven years. Tom earned a Masters in English Literature in San Diego, where he also served as Executive Director of San Diego Habitat for Humanity.

 

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Tour Schedule

 

 

Read an exerpt from The Custard Corpses by MJ Porter

 I am a little nervous, as I have never taken part in a blog tour before, but I thought it would be a great way to discover new authors. So, with that in mind, please welcome MJ Porter onto the blog!

 

 

The Custard Corpses

By M J Porter

 

A delicious 1940s mystery.
Birmingham, England, 1943.

While the whine of the air raid sirens might no longer be rousing him from bed every night, a two-decade-old unsolved murder case will ensure that Chief Inspector Mason of Erdington Police Station is about to suffer more sleepless nights.

Young Robert McFarlane’s body was found outside the local church hall on 30th September 1923. But, his cause of death was drowning, and he’d been missing for three days before his body was found. No one was ever arrested for the crime. No answers could ever be given to the grieving family. The unsolved case has haunted Mason ever since.

But, the chance discovery of another victim, with worrying parallels, sets Mason, and his constable, O’Rourke, on a journey that will take them back over twenty-five years, the chance to finally solve the case, while all around them the uncertainty of war continues, impossible to ignore.

 

“Here it is,” and Higham pulled the car close to the kerb and pointed to the same tree that Sam had just seen in the old newspaper article.

 

“Is it still the Women’s Institute?”

 

“Yes, but they don’t use it much, not at the moment, and not really since then. Too many memories.”

 

The building before him was typical of the others in the street. Quite grand, with a large enclosed front door, a bit too fancy for his eyes. He couldn’t help but think that the building looked cold, despite the stack of chimneys on the tiled roof. Perhaps it was always cold inside.

 

“I think the body was found here.” Higham had taken herself to the enormous oak tree and looked around as though the corpse might still be there.

 

Sam twirled to take in the view before him. There was the scent of rich earth and an overwhelming salty smell from the sea, even though he couldn’t see it through the press of houses on the other side of the road. It was very different from Erdington and yet also the same. Even now, the street was quiet, the building silent and foreboding but offering the illusion of privacy.

 

“I think there used to be a cut through to the park, behind the building. That’s why the dog-walker found the body.”

 

Sam smirked. He’d just been considering why anyone would be hovering in what seemed to be an abandoned garden, screened off from the main street by a tall stone wall and a thick cover of trees.

 

“But, I think much of this has been planted since.”

 

“You seem well informed?” he offered. Higham grinned.

 

“I live over there,” and she pointed to one of the large Victorian houses on the other side of the tree-lined road, with a bright red door. “I’ve watched this place change throughout my lifetime. It used to be popular, but not anymore. I don’t think it’s because of the murder. It’s just a bit out of the way now that everyone goes into the busy shopping area. I would think the Women’s Institute might sell it. They mainly use the Town Hall for meetings now. There’s more parking for those well-to-do women who have access to a motor vehicle. and it’s much warmer than this cold, old building.”

 

“So, you’re what? Twenty-two?”

 

“Twenty-four, sir. We moved here seventeen years ago, just after the murder. I think my parents managed to get the house cheaply because of what had happened. The other family just wanted to move away.”

 

Higham paused, and Sam waited, curious to see what she’d say.

 

“It’s always been a bit strange around here. It’s not as though people avoid the place, but I’ve seen people of a certain generation cross over when they get close to the Women’s Institute. The memories of what happened here are long for people who lived in Weston at the time. New arrivals know nothing about it, and so they’re not at all bothered. They don’t cross the road or avoid coming here.”

 

“It’s similar where my victim was found. It’s a church hall still, but no one uses it other than for necessities. Certainly, parties and fetes are held elsewhere.”

 

Higham nodded, a flicker of relief on her intense face...

You can pick up your copy over on Amazon.

 

M J Porter writes historical fiction set before 1066. Usually.

 

This is M J's first foray into the historical mystery genre and the, relatively recent, twentieth century.

 

M J writes A LOT, you've been warned.

 

You can connect with MJ Porter at the following locations: Website, Blog, Twitter, LinkedIn, Instagram, Pinterest, BookBub, Amazon Author Page, Goodreads & Tumblr.

 

 If you would like to follow the tour for The Custard Corpses you can do so at the following locations: